- #Waves gtr3 review 2016 manuals#
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Side panels, with Presets on the left and Components on the right, can also be collapsed to provide more screen real estate for active modules.Īmps, cabs and effects can be dragged and dropped right onto the main screen, with hardly a pause in the audio output. Buttons for zooming in and out, from 25 to 200 percent, provide a view of the overall signal chain or better focus on individual elements. I tested TH3 on an iMac 5k Retina, which proved an absolute joy (though it functioned perfectly well in full-screen mode on a netbook, too). A striking orange-and-black theme provides great visual feedback in dark environments, such as on stage or in the studio, and the interface can be expanded to be as large as your monitor will allow, with Retina support for those using high-resolution displays. The most dramatic improvement is the significantly clearer GUI. The ‘intelligent’ MIDI connections make setting this up a snap: right-click a parameter, select “Learn MIDI for current preset”, waggle the controller and you’re done. TH3 can also be hooked up to MIDI controllers, for switching presets on the fly or adjusting parameters.
#Waves gtr3 review 2016 software#
The software operates as a VST, AU, RTAS or AAX plug-in, as well as in stand-alone mode for both Mac and PC. The new software feels like playing through an amp, reacting perfectly to how the strings are struck. Overloud have developed proprietary non-linear algorithms, too, which have noticeably improved the sense of realism compared with TH2. These include officially approved models from Randall, DV Mark, Brunetti and THD, which sit alongside models based on famous Fenders, Marshalls, Oranges, Mesa/Boogies and so on. In addition to seven new cabinets and 10 new effects, there are 24 new amps - 21 for guitar, three for bass.
#Waves gtr3 review 2016 full#
TH3 introduces a wonderfully simplified interface and racks full of new virtual gear. Overloud’s amp modelling software perhaps hasn’t achieved the same high profile as offerings from Native Instruments or IK Multimedia, but that might all be about to change with the latest version. With new amps, effects and a stripped-back GUI, is Overloud’s modelling software ready to play a headline slot? Vielleicht habe ich auch einfach noch nicht die richtigen Einstellungen gefunden. Inzwischen nutze ich Waves GTR3 eher als Pedalboard, da auch ein Haufen nützlicher und qualitativ guter Effekte mit im Paket sind, die sich auch als seperates Plug-In laden lassen.ĭas einzige was mir nicht allzu gut gefällt, ist die Qualität der Impluse-Responses. Damit die Sounds im Mix überzeugen muss man natürlich noch etwas Arbeit reinstecken. Für Demos und kreative Entfaltung reicht das alle Male. Die Qualität der Sounds ist auch zufriedenstellend. Von Blues zu Funk und von Metal zu abgedrehten Synth-sounds ist alles drin. Zunächst habe ich mit den Presets herumgespielt und war von der Vielfalt der Sounds und Möglichkeiten erstaunt. Bedeutet man kann seinen Rechner als Verstärker nutzen, Waves GTR3 habe ich mir für den Einsatz im Homestudio und zum experimentieren zu Hause besorgt.ĭas Plug-In lässt sich nicht nur in der DAW, sondern auch als Standalone Programm benutzen.
#Waves gtr3 review 2016 manuals#
A lot can be achieved, read the short manuals to get the most out of it. In fact I also managed to get near identical Marshall amp sounds to those two in GTR3 (and for a lot less money!).īy mixing two amps in stereo mode unique amps sounds are also possible.
#Waves gtr3 review 2016 free#
I also tried adding it before the free versions of Revalver4 and Amplitude 5 with the same results. I've found all software amp sims can sound tinny and scratchy but adding the GTR3 EQ pedal with it's mid-boot preset before the amp fixed that.
There's enough amps and pedals included to cover most requirements. It does take work though, especially if you have specific sounds in your head to replicate.
GTR3 doesn't seem to do so well in reviews compared to it's more expensive competitors, but there's good amp tones to be had. I was looking classic rock and blues tones, think Ritchie Blackmore on Machine Head. For home recording I've used amps and amp sim devices but recently I noticed GTR3 software was selling very cheap and decided I'd didn't have much to lose. I've been playing for 50 years and have used several well known amps and with my vintage Strat.
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